DOW JONES, 2012-present
Copy chief, Barron's
NEW STREET COMMUNICATION, 2015-present
"The Last Tiffany: A Biography of Dorothy Tiffany Burlingham"
Audiobook available through Audible, Amazon, and iTunes.
PAST PERFECT, 2009-present
My film script "Memories of Freud" presents a "moment charnière" for Anna Freud and Dorothy Burlingham. The past in dialogue with the present and future.
My film script "4,000 Miles" reveals the love affair of my grandmother, Dorothy Tiffany Burlingham, the daughter of Louis Comfort Tiffany, and Anna Freud, Sigmund Freud's daughter. Based on my book, "The Last Tiffany" (Atheneum, 1989), it focuses on the critical years 1925-1945, in which Dorothy and Anna raise and battle for custody of Dorothy's four children; suffer rising anti-Semitism in Vienna culminating in the Nazi takeover; flee to London and face the Blitz; and meanwhile launch and redefine the new discipline of child psychoanalysis, of which Dorothy's children were among the very first patients.
FREUD MUSEUM LONDON, 2017
"An Incidental Collector," catalogue essay for " 'The Best Possible School': Anna Freud, Dorothy Tiffany Burlingham and the Hietzing School in 1920s Vienna" exhibit and international symposium
SCALA PUBLISHERS, 2005
"Louis Comfort Tiffany: Artist for the Ages" (preface)
OTHER PRESS, 2002
"Behind Glass: A Biography of Dorothy Tiffany Burlingham"
ATHENEUM PRESS, 1989
"The Last Tiffany: A Biography of Dorothy Tiffany Burlingham."
Related Writing, 1980-2000
•“Eric Streiner: Rhapsody in Glass,” Art & Antiques Special Collectors Issue (2000, June)
•Catalogue essay, “The Influence of Travel,” “Louis C. Tiffany: Masterworks of American Art Nouveau” exhibition, Museum für Kunst und Gewerbe, Hamburg, Germany (1999, March)
•Introductory Letter, “To the Anchorman Collection,” The World of Louis Comfort Tiffany: A Selection from the Anchorman Collection, Nagoya, Japan (1994)
•"Richard M. Hoe's Brightside and the Development of Hunts Point," The Westchester Historian (fall 1993)
•"The Relationship of Anna Freud and Dorothy Burlingham," The Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry," Vol. 19 (1991)
•“Louis Comfort Tiffany: Photographer-in-Charge.” History of Photography: An International Quarterly, Vol. 4, No. 4 (1980)
•“Ich Trage Einen Grossen Namen,” SWR Fernsehen, Baden Baden, Germany (October 9, 2016)
•“Dining with Anna Freud,” by Isaac Tylim, "Buenos Aires Herald" (October 26, 2011)
•“The Engineering of Consent,” second in a series on Freud’s influence on American culture, “The Century of the Self,” BBC2 (March 26, 2002)
•“The Tiffanys: The Mark of Excellence,” Biography, Arts & Entertainment Network (1999, March 1)
•“This is Baltimore: Revelations of True Beauty,” Arts & Entertainment Network (1989, March 31)
•“The History of Glass: Johannes Loetz Witwe and Louis C. Tiffany,” Vogelsberg Film GbmH, Erlensee, Germany (1988)
• "Bob's Diary, 1931," Freud Museum London
• "Dorothy Burlingham and Anna Freud: Partners in Life and Work"
Allan Memorial Institute, McGill University, Montreal
• “Louis C. Tiffany: a Personal Portrait”
Venues include the Smithsonian Institution’s Renwick Gallery, Washington, D.C., and Cooper-Hewitt Museum, New York City; the Mark Twain House, Hartford; the Gamble House, Pasadena; the Richard H. Driehaus Museum, Chicago; and the Morse Museum of American Art, Winter Park, Fla.
THE HUGUENOT SOCIETY OF AMERICA, 2002
Editor, "Quatercentenary Celebration of the Promulgation of the Edict of Nantes, April 13, 1598," by Courtney A. Haff, et alia
•Flag-bearer for the Huguenot Society of America, the U.S. Flag Day Commemoration, New York City (2010-2012)
•Participant, representing the Spanish-American War, Time of Remembrance Tribute, the White House Commission on Remembrance, Washington, D.C. (2006 and 2007)
Authors Guild; Huguenot Society of America (council member and registrar); IAPE Newspaper Guild CWA Local 1096; Tiffany Reading Room, Irvington, NY (restoration-project originator); Time-Life Alumni Society
Beloit College, Beloit, Wisconsin, B.A., English Literature and Composition
U.C.L.A., Department of Motion Pictures Production, Graduate School Division